On Wednesday, October 22, Paul D. White, director of Ventura's Stronghold School Systems, will be speaking at E.P. Foster Library.
This talk will focus on White's fundamental principles which he has used to work with the most challenging cases he has come across in his career.
This free event is open to the public and will take place in the Topping Room at 6:30 p.m. Call or drop by the library for more information!
A car backfiring, a loud yell, maybe a deliberate act of sabotage, or possibly Clara Oswald from Doctor Who have caused massive failures in creating this dish: soufflé. Yes, soufflé, long regarded as the one of the trickiest concoctions to prepare in the foodie world. The “Dish” decided to confront this recipe head on.
I perused the stacks at E.P. Foster Library and came up with the ultimate recipe for macaroni soufflé. I chose the recipe from Melt: the Art of Macaroni and Cheese, by Stephanie Stiavetti. Win, lose, or flopping soufflé, the “Dish” would present the results to his hungry readers.
In preparation, I meditated for about five minutes; this cleared all flopping-soufflé thoughts from my mind, and I then headed speedily for the kitchen. Most of the ingredients I had on hand, but the cheeses required for this recipe were quite dear. Fortunately, I had ramekins from my madly successful molten chocolate babycakes, so the cost of this preparation would not put me in the poorhouse.
|The soufflé-making commenced. Things were going wonderfully. I peeked at the soufflé through the glass window in the oven door; a gorgeous, puffy soufflé was in formation. Suddenly, my neighbor pulled into his driveway with his radio blaring one of my favorite songs—“Low Rider”—with no shortage of window-rattling bass. I mean, I love that song, but just not now, with my delicate soufflé forming. So, with “Low Rider” blasting, the windows shaking, and me sweating bullets worried about my precious soufflé, the door slams. I’m not sure who slammed the door, but I felt the third strike coming. I crept up to the oven door, slowly opened it and what appeared before my eye was the most beautiful macaroni soufflé I have ever seen in my life. No third strike; success in spite of all the obstacles!|
As a side note, we have the CD album Anthology 1970-1994, by War with the song “Low Rider,” and we have the album Evolutionary by War, which also includes “Low Rider,” available through Hoopla Digital. Take a little trip and see…
Check out the book at Foster Library, or put a hold on it—we will send it to you! If there are any cookbooks in Foster Library’s collection that you would like me to try out, please leave the title on our Facebook page and I’ll get cooking.
Spend a lovely afternoon with friends
Enjoy delicious refreshments and warm hospitality
Sorry! This year's tea is sold out!
Reservation form and more information here
When Font to Film looked at Roald Dahl’s Fantastic Mr. Fox, we saw that a successful film can be produced even when the source material is less than a full-length novel. This month we follow that concept even further by examining William Steig’s Shrek! (1990), a slim picture book that served as the inspiration for the 2001 DreamWorks film that spawned a decade’s worth of sequels, with the last one, Shrek Forever After, being released in 2010. Despite the widespread success of the Shrek franchise—which includes spin-off movies, video games, and even comic books adaptations—many viewers remain unaware of its humble origins.
|Readers might be more familiar with some of Steig’s other works, such as the Caldecott Medal-winning Sylvester and the Magic Pebble (1970) or Doctor De Soto (1982), which won him a 1983 National Book Award. Shrek! is a relatively simple tale, following an ogre’s journey from his swamp home as he leaves his parents to experience the world. He encounters a witch who delivers a prophecy, telling Shrek that he will meet a stupendously ugly princess who will be his bride. As he heads off to meet this destiny he encounters a peasant, a dragon, a talking donkey, and an armored knight, each of whom either helps or hinders him somewhat on his way. In the end, Shrek and the princess find each other and live “horribly ever after.” The main hook for the story seems to be the value reversal—embraced by the narrator and Shrek himself—whereby traditionally negative terms (such as “ugly” and “horrible”) instead hold a positive connotation. Thus, while Shrek's behaviors and physical characteristics are terrifying to those around him, he finds those same traits comforting and even attractive in others. Though overshadowed by Steig’s other works, Shrek! was named the best children’s book of the year by Publishers Weekly and the School Library Journal.|
|The 2001 film version of Shrek, directed by Andrew Adamson and Vicky Jenson, also played with the idea of relative beauty and societal norms, albeit in a more nuanced way. And while it imports some characters similar to those in the book—including the talking donkey and the dragon—it is otherwise radically different. For starters, all of the characters are greatly fleshed out, with Mike Myers providing the voice of Shrek and Eddie Murphy, Cameron Diaz, and John Lithgow in supporting roles. The movie is heavy on referential humor, poking fun not just at fairy tale clichés but filmmaking tropes in general. The story still begins with Shrek forced to leave his swamp, but includes an entirely new main plot built around the beautiful Princess Fiona and her arranged marriage to main antagonist Lord Farquaad. Themes of persecution, isolation, and inner and outer beauty are artfully addressed all while maintaining the movie’s overall comedic tone. Shrek was a huge financial and critical success, winning the first ever Academy Award for Best Animated Feature and proving to be an incredible feather in DreamWorks’ hat.|
William Steig’s Shrek! is available to borrow as part of E.P. Foster Library’s children’s picture book collection on the second floor of the library. Adamson and Jenson’s film version can also be found on the second floor, in the children’s DVD area. If you are interested in the book, the movie, or any of the various sequels, stop by the library or place a request either over the phone or through our online catalog. If Foster doesn’t have the title you want, you can always request that it be brought in from another branch!
On Saturday, October 18, CAPS TV will be presenting a workshop at E.P. Foster Library.
This event will center on creating movies from start to finish. You will have the chance to learn the basics of recording and editing your own videos!
No reservations are required for this free event, which begins at 9 a.m. in the Topping Room. Stop by if you've ever wanted to learn more about filmmaking!
Our experiments with the Ventura County Library's new technologies continue!
“Attend the song of Deathface Ginny, and how she came to be
A wraith of rage for men who’d cage and harm what should be set free.
It all began when the Mason man took Beauty for his bride.
He quick turned a fool and made her a jewel in the crown of his glittering pride.”
Thus begins the intriguing tale of Pretty Deadly. A pair of unusual characters come to an unnamed town to perform their tale of Beauty, Death, and their daughter, Deathface Ginny. One is a blind man, who plays more than just the part of storyteller in this strange tale. The other is a young girl dressed in a cloak of vulture feathers, with one blue eye and one brown, who is the key to Death’s undoing. To say any more would spoil the story, but let me just say that by the time they meet up with Ginny, and eventually Death himself, questions will be answered.
Pretty Deadly is what you get when you cross a western with Neil Gaiman’s Sandman. It’s something akin to a paranormal western, a distant cousin perhaps. There’s just no easier way to describe this book. That’s not to say that I didn’t like it, because I did, immensely. It’s smartly conceived and unique in the western genre. I love how each main character has a part to play, and a secret identity waiting to be discovered. It’s all cleverly brought together by the end.
Pretty Deadly is a worthwhile read, but definitely for adults. It’s a well-thought-out story that’s not to be missed.
Because the world is getting smaller
Worldcrunch offers English-translated news from leading global media outlets, and brings a global perspective on world affairs from Europe, Asia, Africa, South America, and the Middle East.
Keep your global perspective current
Explore 1pm to 5pm October 11
Dr. James Lux, JPL/NASA