"The World's End" Gang
Of the two “end of the world” comedies released last year, This Is the End is set in L.A. and features the current Hollywood comedy brat pack, while The World’s End is set in a small British garden town and features a slightly more mature—but no less manic—guy group.
The World’s End is the latest film from director Edgar Wright and actors Simon Pegg and Nicholas Frost, who produced such bizarre classics as Shaun of the Dead (2004) and Hot Fuzz (2007). These films often also feature a kind of stock company of fellow actors, and as a staunch Anglophile I thought it would be interesting to see what other films from the group’s members are in the Ventura County Library collections (as are both The World’s End and This Is the End).
One of the most amusing Pegg/Frost comedies is Paul (2011), which is about two aging British fanboys who attend a science fiction convention in L.A. and end up having a bizarre close encounter of their own on a road trip to find Area 51.
Pegg, also a screenwriter, is a regular in the recent Star Trek and Mission Impossible films, and does a lot of animation voice work, as does Frost.
Probably the most well-known other guy is the Hobbit himself, Martin Freeman. He has the lead in The Good Night (2007), a film about a relationship-impaired musician who can only be with his dream love in dreams. The ironic conclusion gives new meaning to all those song lyrics about dreaming forever.
Freeman is also Watson in the recent Sherlock TV series, and stars in the new FX series Fargo, which premieres April 15.
One of the more prolific members of this group is Irish actor/writer/director Paddy Considine, best known for The Bourne Ultimatum (2007).
Surprisingly, considering his comic turns in the Pegg/Frost films, Considine has been involved with some of the most serious (and seriously depressing) recent films. Pu-239 (2006) is an HBO drama about a worker caught in a deadly accident in a Russian nuclear plant who steals a stash of weapons-grade plutonium in a botched attempt to sell it to provide for his wife and child when he is written off by the plant managers.
In director Jim Sherman’s In America (2002), Considine is the father of a poor Irish family who emigrates to America, ending up in an impoverished apartment in New York’s Hell’s Kitchen. The film won three Academy Awards and features amazing performances by the two young actresses who portray the family’s daughters.
Considine is also in a remake of French director Claude Chabrol’s Hitchcockian thriller, The Cry of the Owl (2009), based on a novel by Patricia Highsmith. Considine also wrote and directed Tyrannosaur (2011), which unfortunately is not in the Ventura collections. Perhaps that’s just as well, as reviews have cited it as—though excellently done—one of the most disturbing films about male rage ever made.
It’s interesting how a mainstream feature such as the well-publicized The World’s End can lead you to explore your friendly local library’s film vaults to discover a variety of lesser-known but interesting, off-beat (and free!) film discoveries.